Cinderella: Fables Are Forever, Chris Roberson and Shawn McManus

Cinderella: Fables Are Forever

Form: Comic Book (Trade Paperback)
Writer: Chris Roberson
Shawn McManus
Publisher: Vertigo (DC)
Series: Cinderella #2 (Fables spinoff)


Fashionista, socialite – spy?

Hey, if the shoe fits…

She poses as a haughty socialite in glass stilettos by day – and okay, sometimes by night. But Cinderella is actually Fabletown’s master spy. Tasked with doing jobs too dirty and deadly for the average Fable, Cindy’s faced down dangers from a dozen worlds and lived to tell the tales (over cocktails in a hot tub, if you’re lucky).

But every secret agent has one annoying ruthless archnemesis and Cindy is no exception. Back in the Big ’80s, Cindy encountered her dark mirror, a rogue American Fable, who was in league with the mysterious Shadow Fabletown. Cindy thought she’d destroyed her rival years ago. But when a powerful magician turns up dead and another seeks her help, Cindy’s hunt for her old enemy begins anew.

From the frigid back alleys of Russia to the steaming desert, Cindy will follow the clues down the blood-flecked yellow brick road and risk everything she’s got – including her secret identity – to solve the crime and finally get revenge on Silver Slipper.

Eugh. I really wanted to like this one. I was looking forward to it as some superlight reading after my dissertation but no. And it makes me sad because, despite the recent lackluster issues, I do love Fables and Cinderella was one of my favourite characters. I enjoyed her last miniseries too – not as much as the main comics but enough to buy the second – but this is just…underwhelming on all fronts.

I’m especially disappointed with it because I was midway through drafting a post about how the portrayal of women in mainstream superhero comics puts me off buying them when this arrived on my doorstep and well…just look at that cover. Almost every other page seems to be an excuse to put Cinderella in underwear/a bikini/a towel/nothing. At least she has more human anatomy than a lot of comic book women but it’s still totally gratuitous. I know this Cinderella’s a sexy sexy spy who uses her looks as a tool – the first time we really meet her in the mainline Fables series she’s seducing a repulsive bloke as part of her job – but having her first appearance here be wandering round in a bikini in the snow (in Russia!) is ridiculous. Yes she has a reason for it and yes the first person narration acknowledges that it’s ridiculous, but that doesn’t make it better: she has a reason for it because the writer wanted her in a bikini enough that he made up a reason for it and then openly acknowledged the situation as stupid in the textboxes. There were many, many ways she could have used her spy skills to track the people she’s trailing down, the only reason to go for this way is to put her in a skimpy outfit. If it’s meant to draw people in it’s having the opposite effect with me – I’m now doubting that I even want to read Fairest (a new female-centric Fables spinoff) when it comes out.

But onto the story…what little there is. Fables Are Forever follow’s super-spy Cinderella’s attempt to track down her ‘archenemy’, a super assassin named ‘Silver Slipper’, accompanied by this miniseries Bond-Guy, the Russian Fable Ivan Durak (Ivan the Fool). Peppered throughout it are flashbacks to Cinderella’s previous run ins with Silver Slipper in the 80s which mainly consist of frames showing the two women shouting at each other, fighting each other, or tying each other up. The actual modern-day strand of plot is equally thin on content and complexity with things happening to the character rather than her making things happen. Cinderella seems to spend most of the time reminiscing about her previous encounters rather than actually doing anything.

And the Silver Slipper well.. although it’s revealed in the first issue I won’t share her identity – but if you’re familiar with the original books rather than the film adaptation it’s not gunna come as a surprise for you. While she could have been very interesting she ended up being a bit of cardboard cut out ‘evil woman’. I didn’t really get why she was so fascinated with Cinderella and I don’t get why Cinderella considered her her ‘archnemesis’. Silver Spy works as a mercenary for ‘Shadow Fabletown’, an organisation we’ve never been introduced to before but apparently stands in for Cold War Russia to main Fabletown’s America… really, did we have to go there? I know it’s a spy story and people love setting those in the Cold War but it doesn’t work. In fact ‘Shadow Fabletown’  seems to be minding its own business and doing nothing much besides ‘existing’ before Cinderella pokes her nose in. Her original mission seems pointless and her later mission to get a member to ‘defect’ to Fabletown seems even more so. Literally no reason is given why Fabletown couldn’t get in touch with a friendlier envoy and try to start up a better and mutually beneficial relationship – at the 1980s point in the story both groups are refugees from the same war with a common enemy, allies are just what they need! The whole Cold War element just seems ill-conceived.

Worse than the ‘wait a minute…’ moments though is the repetitive repetition (see what I did there?). As a miniseries I know the writer has to update the reader on what’s going on at the beginning of each issue in case someone missed the last or hasn’t read it since it came out and has forgotten details, but when they’re all collected together in one volume it doesn’t work. Every time we go to a flashback we get treated to a summary of what happened in the last issue’s flashback – when collected together this can be summarising a scene that happened as little as three pages ago and makes for really disjointed storytelling. Flashbacks and stories told in multiple timezones I can deal with – when I have to read the same scene told in an almost identical way several times I get annoyed. Maybe the summarising would have been less annoying had the narration not been first person from Cinderella’s point of view – it just made her sound forgetful and stupid having to repeat and summarise herself so much, rather than the super-intelligent spy she’s meant to be. Even some important lines stressing the differences between Cinderella and Silver Slipper (‘I’m a patriot, she’s a mercenary’) seem to be repeated ad nauseam to the extent they no longer have any impact by the time we reach what’s meant to be the climactic show down between the two.

It’s not a terrible book though. It’s certainly not great, and it’s a massive step down from almost any of the mainstream Fables volumes, but I didn’t dislike it enough to give it one star. The plot twist at the end of the main timeline was interesting – even if I did see it coming – but most of the rest was just a series of things happening and unconvincing flashbacks that didn’t really fit with what regular readers would know about Fabletown history. So yeah…2.5 stars.

Oh and I guess I should mention that it’s got a one issue Cinderella story from the main Fables series tucked away at the back too. But I don’t quite understand the point: regular Fables readers will already have read it and newbies to the series well…firstly they shouldn’t be starting here and secondly it’s issue 51 and part of an overarching Fables storyline so a lot of the context that would be needed to really understand it isn’t there…

At least it completes a set on my shelves though…

1 Comment

Filed under Comic Books, Reviews

One response to “Cinderella: Fables Are Forever, Chris Roberson and Shawn McManus

  1. Pingback: Graphic Novel Review: Cinderella: Fables are Forever « Bunbury in the Stacks

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